Third, in some exceptional cases, the cover versions unquestionably eclipse the original, as with The Clash’s “I Fought The Law,” Social D’s “Ring of Fire” and pretty much every Ramones cover. However, the howl gets lost in the breakdown. Bayside’s cover of “Beautiful Girls” features all the awesome instrumental qualities that have made the band a beloved fixture in the pop-punk scene, even after almost 21 years. The line “That’s just what gangsters do” gives us chills every time. stayed true to the original in many ways, adding their own sound in all the right places. You can also check out their recent live session in the Paste Studio in New York. However, as the bands who’ve made numerous appearances in the Punk Goes Pop series know, nailing a cross-genre cover is an art all its own. While it feels like a tongue-in-cheek goof to say that Minor Threat covered The Monkees, the song’s lyrics actually contain the same themes of assertiveness and self-empowerment that can be found in many Minor Threat songs. Despite the new key, tempo and pop-punk instrumentals, it still has all the emotion of a breakup song. This cover has lots of great qualities, but it could’ve been better if Crown The Empire hadn’t changed the notes in the chorus. The Damned released their “New Rose” 7” single five weeks before the Sex Pistols released “Anarchy in the U.K.” and they included a breakneck cover of The Beatles “Help!” as the non-album B-side. Jett’s version of “Love Is All Around” from The Mary Tyler Moore Show (which, by the way, is No. Metalcore mainstays We Came As Romans added some really cool guitar and drum elements to this still slightly overplayed Taylor Swift track from her 2012 album, Red. Select Post; Deselect Post; Link to Post; Member. 7, containing a total of eighteen releases, featuring mostly cover songs. Although originally released by The Nerves in 1976, Blondie’s cover became a hit two years later. Their particular brand of pop-rock makes the song feel, well, hopeful, as it should. [Photos by: Andy Black/Josh Shultz, Tonight Alive, The Ready Set, New Years Day, The Cab] Fearless Records’ famous Punk Goes… franchise has certainly come a long way since its first installment in 2000. The Clash, “I Fought The Law” 2. Plenty of pop punk bands have put their own spin on tracks you've probably heard (or hated) in the charts, but we decided to compile a list of our favourite 12. But the real issue here is that there was only so much that could be done with this track, which is why it gets the solid middle-of-the-road spot on our list. Since its release, Ramone’s version has become a pop culture touchpoint, showing up in a wide variety of films, television shows, and commercials. Without any other distinctive sonic features to add staying power, “Send Me An Angel” is a pretty underwhelming cover. Best Of, Lists The Top 50 Goth Songs by Treble staff. Masterfully driven along by the band’s ska-core boom and Dicky Barrett’s instantly recognizable bark, their cover of “Ain’t Talkin’ ‘Bout Love” is made exceptional by the quick snippet of The Specials’ “Nite Klub” they throw into the cover’s bridge. Vocalist. While the Amity Affliction’s cover of the Weeknd’s “Can’t Feel My Face” was a valiant effort, the note changes in the chorus and prechorus were enough to make the whole track sound somewhat off. Much like The Clash’s “I Fought The Law,” Social Distortion’s fiery cover of Johnny Cash’s “Ring of Fire” is emblematic of the perfect fusion between right band, right cover and right time. The acoustic guitar only lasts for a few measures before giving way to ADTR’s signature sound. Sure, Further Seems Forever spiced up this classic *NSYNC track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. Not only does the band still play it in concert to this day, but it’s also been a longstanding tradition to invite a random audience member or two up on stage to play their instruments (often sending the temporary band member home with a guitar, as well). Vampire Weekend's 'Father Of The Bride' track is the source material for a new collection of punk covers from 25 artists. Writing and performing the perfect cover song is a challenge. From the heyday of. Grayscale’s reimagining could have worked better had they pushed it a little further. Punk cover supergroup Me First and the Gimme Gimmes released their very first 7” single in 1995 and it contained a John Denver cover on each side: “Country Roads” on the A and “Leaving On A Jet Plane” on the B. The members of Silverstein certainly don’t need to apologize... 3. The song "Cheerleader" reportedly had its origins in Jamaican singer OMI waking up humming the melody in 2008. The perfect amalgamation of song choice, band performance, and fortuitous timing, The Clash’s “I Fought The Law” set the high-water mark for just how impactful the right cover song can be for a band (and even an entire genre). Over the years, there have been some serious masterpieces. 2 on the Billboard Modern Rock Charts and No. It’s easy to see why the cover works so well in so many contexts: hearing such an iconic song filtered through such an iconic voice offers its own immediate accessibility, but having the extra gravitas of it being posthumously released adds an extra layer of celebratory remembrance to the whole experience. While the Riverboat Gamblers shave a little of the pop polish off of “Let’s Go Crazy” by approaching it with a more raw abandon, the fact that they never quite capture the outright fury of Prince’s original guitar work may be the most punk revelation about the whole cover. That said, we can’t help but feel like the bridge would’ve been the perfect spot for a breakdown. To that extent, they’ve ceremoniously covered artists like Mötley Crüe, KISS, Judas Priest and Alice Cooper, but it’s their strutting cover of Generation X’s “Dancing with Myself” that most adequately captures The Donnas’ musical moxie. That most awkward of subjects, love, was mostly off the agenda in the speed driven years of the glorious revolution etc. 4. In 2012, Patrick Moxey, president of the Ultra dance music label, discovered the song. Do you remember when Demi Lovato played Warped Tour? also sets the perfect getting ready for a night out at the club vibe—that is, if the club happens to have a metal band performing that night. ’s heavy sound fits, but clean vocals almost seem like a requirement to capture the undeniable emotion in, Maybe it’s unfair to expect a primarily pop band to change the feel of a pop song all that much, but. Pop songs that Actually Rule so it ’ s lineage that ’ s.. Isn ’ t work for a song with such a consistent feel throughout changing up the entire of! 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